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Digital Filmmaking Photography

Five tips for using Fuji X-T2 4K F-LOG in 2019

Since its release in 2016, the Fuji X-T2 has become one of the most feature-complete, budget-friendly mirrorless cameras on the market. Fuji’s great lens offerings, image quality, and continued firmware updates have turned the X-T2 into an ultimate system for 4K filmmaking and still photography.

F-LOG (Fuji Log) is a great recording mode that makes the most of the camera’s hardware, and software. You will need to do post-production work to get the most out of the X-T2’s 4K video files, however the end results are often stunning, and worth the minimal post-production required.

Information contained in this blog is based on my own personal experience using the X-T2 for filmmaking with Fuji’s built-in 4K resolution internal ‘F-LOG’. I developed these concepts through experimenting and learning how to operate the camera’s hardware and software.

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Digital Photography Reviews

Zeiss 50mm f/2.0 T* ZM Review

The 50 mm lens is considered standard – perhaps even quintessential – when it comes to prime lenses in a photographer’s bag. This focal length offers just enough zoom for portraiture and photojournalism, while also accomodating some freedom to frame the environment around the subject.

The Zeiss 50 f/2 Planar ZM (Leica Mount) is a highly efficient and reliable lens for the Leica M-mount system. It is an exceptionally sharp and accurate lens for colour accuracy and contrast, surprising considering it originally released nearly 15 years ago.

I have enjoyed using this lens on both a Leica M9 and Leica M3, with the latter combination having been used to shoot the majority of my street photography and photojournalism since 2014. As with the Zeiss 35 f/2.8C, the Zeiss 50 allows for a highly portable and impressive system with low-light capabilities.

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Digital Photography Reviews

Zeiss 35mm f/2.8 C Biogon T* ZM Review

Whether it’s for work or leisure, the 35 mm focal length feels perfect (to me). It’s tight enough for portraits and photojournalism, while also being wide enough to show the environment around a subject, or to capture an impromptu landscape.

The Zeiss 35 f/2.8 C Biogon T* ZM is a compact, lightweight, and highly reliable 35 mm lens for the Leica platform. Despite originally releasing in March, 2008, images captured with this lens appear to be much more modern in colour rendition and contrast. I prefer the visuals of this lens over my old Canon 35 f/1.4L, which I worked with for two years.

The Zeiss 35’s manual focus is fast and efficient, with just the right amount of glide, and a small tab on the focus ring makes it easy to quickly focus in on a position or subject. When equipped on a camera body this lens has a small form factor, and can conveniently be stowed in a jacket pocket, satchel bag, etc.